Tag Archive for music

Punk Rock Bowling in Asbury Park Day 1 (6/11/16)

This past Saturday, I headed to Asbury Park NJ to catch day 1 of Punk Rock Bowling.  It was a pretty tough decision, with The Suicide Machines playing a free show nearby here in Philly, but the allure of seeing both Dag Nasty and The Descendents won out.

I got to The Stone Pony’s outdoor Summer Stage rather late.  I wanted to make it in time for both 88 Finger Louie and H2O, but unfortunately I was walking up as H2O was finishing up “Nothing To Prove” which rang throughout all of Asbury.


Next up were UK’s The Subhumans.  Now I’ll be completely honest,  I’ve never really listened to their albums much, but I remember catching them live nearly 5 years ago with Millions Of Dead Cops here in Philly and remember it being a damn good show, and they definitely didn’t disappoint this time around either.  From the second they started, a large circle pit broke out, and while it was clear that the majority of the crowd was either drunk or exhausted in the all day summer sun, things definitely got pretty rowdy.

Singer Lucas took some shots at the high price of Asbury beaches ($7 to go on the beach), jokingly encouraging the crowd to storm the beaches… which was pretty ironic considering the high cost of everything involved with this all day fest.  But regardless, it was around this point too that apparently bands were told to not curse in between songs, because residents of Asbury were starting to get upset (up the punks!)

Dag Nasty:

Next up were Dag Nasty, and one of the main reasons I came to the show to begin with.  Reunited with their original singer Shawn Brown, who was on the demos and wrote a lot of the songs that were later re-recorded on What Can I Say?  The band took the stage, and a decent amount of us older in the crowd immediately went off, two-stepping and shouting along.  Their blend of melodic hardcore inspired many of the post-hardcore bands like Texas Is The Reason that pretty much shaped the emo scene today.

The majority of the set consisted of songs off What Can I Say, but they threw in a few from Wig Out At Denkos and a few new songs (did I mention that Dag Nasty is recording new music?!) as well.  The newer songs definitely had more of a heavier edge to them.

A solid and fun show, it’s great to finally be able to see Dag Nasty live.  I’m hoping that they’ll do an east coast tour soon and come up to Philly, playing a non-fest environment.

Setlist (From what I remember)
Values Here
I’ve Heard
Under Your Influence
Can I Say
All Ages Show
Cold Heart
What Now
Another Wrong
Wanting Nothing
One to Two
Little Friend (Minor Threat cover)
Never Go Back

The Descendents:

Do The Descendents really need any introduction?  A staple of punk and one of the earlier punk bands, Milo and company have been pumping punk anthems about girls and the tribulations of growing up ever since the early 80s, and those songs still resonate today.

From their opening chords of “Everything Sux”, chaos ensued as a huge pit broke out.  This was my second time seeing The Descendents, and they definitely sounded tighter this time around from when I first caught them at RiotFest East a few years back.

Playing songs spanning their entire history, they also included a bunch of new songs as well with an album coming out I believe later this year.  With the first new songs coming from the band in over 12 years, you might be skeptical about how they sound, but rest assured… at least live they sound like they could have come off any Descendents album and doesn’t lack any of the energy from their previous songs.

Ripping through as many songs as possible in an hour, things got a bit strange at the end when the venue tried to not let them have an encore, and then finally after having permission to play a few more, the venue stopped them after their 2nd encore song.  Milo seemed surprised and pretty much said “Oh I guess we’re done!  Thanks guys!” before leaving the stage and leaving the crowd a sweaty, sun drenched, yet elated mess.

Everything Sux
Rotting Out
Victim Of Me
I’m The One
I Wanna Be A Bear
Silly Girl
I Don’t Want To Grow Up
Shameless Halo
My Dad Sucks
Suburban Home
Clean Sheets
Feel This
Coffee Mug
Full Circle
Weinershcnitzel/No! All!
When I Get Old
I Like Food
Thank You
I’m Not A Loser

Nothing With You
New Song

The Descendents – Suburban Home
Dag Nasty – Under Your Influence

NOFX and Direct Hit Live In Philly (4/27/16)

On tour supporting the release of their official autobiography book The Hepatitis Bathtub, I got a chance to see NOFX again play a sold out TLA here in Philadelphia.  Unfortunately I got there a bit late and bummed that I completely missed that ska band I can never remember how to fucking spell their name (Mephiskapheles), but got there in time for Direct Hit.

Direct Hit:

direct hit

In my opinion, Direct Hit is one of the best bands in pop-punk today and one of my favorites.  I listen to their EPs and albums so regular that Metamucil would be jealous, and was excited to get a chance to see them live again.  They recently just signed to Fat Wreck, and have a new album coming out June 24th.

From the second the band started, it was pretty obvious that there were only a handful of us who knew who they were and their songs, but those of us who did were singing along loudly.  Even those who didn’t seemed to be really digging them.

I was pleasantly surprised by their setlist, playing a bunch off of both Domesplitter and Brainless God, with a few of the upcoming new songs sprinkled in.  The newer songs definitely sounded a bit poppier than we’re used to from Direct Hit, with more melodies and harmonies, but were still incredibly solid live. Definitely a fantastic show, albeit a bit strange seeing Direct Hit play on such a large stage with barricades (I’ve only seen them in small bars and church basements previously), these guys always put on a great show and is a must if you dig pop-punk.

Setlist: (not in order, from what I remember)
The World Is Ending (No One Cares)
Satan Says
Getting What He Asked For
White Robes
Back To The Tower
A Message To The Angels Pt II
Snickers Or Reeses
Kingdom Come
Boredom Addict
They Came For Me
Werewolf Shame
We’re Fucked



NOFX has been a band for well near 33 years now… let that sink in for a second.  Like most punk fans, NOFX was one of the earliest bands I ever got into, and one of the few that still put out good music and play a solid live show.

The band took the stage, joking about how this was one of the last few nights that Fat Mike is able to party as he needs to go to rehab soon, and they mentioned that the show was being live streamed on Yahoo because apparently that’s a thing and Yahoo still exists?  They also introduced one of the members of Dancehall Crashers, with her doing keyboards and female vocals on the songs as well.

The second the band started playing their opener of 60%, the place erupted in a large chaotic circle pit that continued throughout the entirety of their set.  All songs seemed to get a big reaction, whether it was the newer Tony Sly tribute “I’m Sorry Tony” or the obvious fan favorite of “Linoleum”.

As always with NOFX, it was comedy hour up on stage wit the band taking some jabs at everyone including people under 21 (“Anyone here under 21? You all make me very uncomfortable” before launching into “Fuck The Kids”).  One particular memorable moment was after playing “Louise”, Fat Mike tells the crowd how he realizes out of all the bigger punk bands, no one would play a song like that… “Take a moment and try to imagine Al Barr of Dropkick Murphy’s or Tim Armstrong of Rancid singing the opening lines of that song”.  You got a point Fat Mike.

While the band may pride themselves on not caring and just having fun on stage, they still are easily one of the tightest and fun live bands around.  And at this point, you don’t need me to tell you to go see NOFX, you know who they are, and you either love them or you don’t (and if you don’t, you’re fucking up).

72 Hookers
Perfect Government
Seeing Double At The Triple Rock
Murder The Government
Leave It Alone
Eat The Meek
Six Years On Dope
Stickin In My Eye
What’s The Matter With Parents Today?
Franco Un-American
We March To The Beat Of An Indifferent Drum
I Believe In Goddess
Moron Brothers
I’m Sorry Tony

Fuck The Kids
Dinosaurs Will Die
Bottles To The Ground
The Brews
Kill All The White Man

NOFX – The Moron Brothers
Direct Hit! – I Told You A Lie

Fenix TX and Suck Brick Kid Live In Philly (3/31/16)


Last week, I headed to Philly’s Underground Arts to catch one of the first bands I ever saw way back in the day, Fenix TX as they supported Unwritten Law on their tour.  I was surprised by how much of a turnout there were for these bands, especially considering the last time Fenix TX released any music was 15 years ago.

I missed the local opener but got there in time for Orlando’s Suck Brick Kid.

Suck Brick Kid:

Orlando’s Suck Brick Kid took the stage, and I wasn’t exactly sure what to expect.  I’ll be honest, I’m a bit picky when it comes to pop-punk, and don’t find myself listening to the genre very often, especially newer bands (unless your pop-punk sounds more like The Queers than Newfound Glory.)

The second they started playing, I was pleasantly surprised.  The band clearly pulled from a bunch of different influences, and they reminded me a bit of A Wilhelm Scream or Hot Water Music if they were a pop-punk band.

The band bantered plenty with the crowd, talking about how they’ve been asking everyone at each show what their city is the best at (Baltimore is the best at heroin and riots apparently).  Philly answered “cheesesteaks”, but I would have gone with booing people.  Each their own.

If you’re into A Wilhelm Scream at all, give these guys a listen.  Bonus for throwing in a Blink-182 cover.

Fenix TX:

Story time!  My first show ever when I was just a kid still getting into punk was Fenix TX.  Strangely enough, they were opening for that Christian rap-rock band P.O.D at the Electric Factory over 15 years ago and I went to see Fenix TX, and am pretty sure I was one of the only people who was there for them at that show.

I played the shit out of their Self Titled growing up, and while I never really became familiar with their much bigger Lechuza (as my friend told me when I told him I didn’t know any of these “new” songs “dude these came out almost 15 years ago”), and I wasn’t sure how much off their first album they would play.

After ripping through a bunch off Lechuza including Phoebe Cates, Something Bad Is Gonna Happen, and Katie W, Fenix TX launched into some of their older stuff including Minimum Wage and Ben.  The crowd, while not really dancing, was enthusiastically singing along throughout the set.  Announcing that they were actually writing new music,  they played a few new songs which were definitely a bit heavier.

A fun show, it was good to see one of the seminal bands that were one of my gateway bands into punk again, and definitely nostalgic seeing them after all these years and hearing songs like Flight 601 again live.  While I don’t really listen to much pop-punk these days, their Self Titled will always still be one of my favorite albums.

Setlist (from what I remember, not in order):
Phoebe Cates
Something Bad Is Gonna Happen
Katie W
Minimum Wage
Abba Zabba
New Song
Flight 601New Song
All My Fault

Fenix TX – Surf Song

Graf Orlock – Crime Traveler (For fans of DANGERS, Ghostlimb, Pig Destroyer)


LA’s Graf Orlock are finally back with their latest album Crime Traveler, their first full-length in since 2009’s Destination Time Today.  Known for their heavy hardcore/grindcore mixed with clips and lyrics focused on various movies, Crime Traveler follows the same format, only this time focuses on a script that the band themselves wrote.  A concept album through and through, Graf Orlock writes:

“The Crime Traveler film tells the story of a French-Canadian assassin who discovers a wormhole and travels back in time to kill American politicians so that Canada can attain superpower status in the future. As the samples selected for the album illustrate, our anti-hero zips through time and space on his mission – rubbing elbows with John Hinckley at the Reagan assassination, witnessing the Exxon Valdez oil spill, and more.”

Sure, the story is a bit Terminator-esque and the dialog and acting (at least from the little I gathered from the intro clips) is downright awful at times (as is expected with a B-movie) but that’s besides the point.  Graf Orlock has always been about fun, and this album definitely is, and the music is the same crushing, chugging hardcore we’ve come to love from Graf Orlock.  Opener “Bad Cell Service On Connecticut Avenue” is an aggressive blast beat fueled song about the Reagan assassination attempt, while the proceeding  “600,000 Tons Of Explosive Ordance” displays Graf Orlock’s sludgier side.

One thing noticeably different from their earlier full lengths is singer/guitarist Justin (of Dangers/Ghostlimb) has much more vocal duties, and their old singer left the band since Destination Time Today (no, he didn’t actually die in a car crash) and has been replaced.  If you’ve been following the bands EPs since including “Doombox” and “Los Angeles”, you’ll know the new singer fits right in, but doesn’t have the higher pitched shrill screams of the old vocalist.

A fun and blistering album, Graf Orlock nails it as usual.  If you’re a fan of grind with more punk/hardcore influences than metal, definitely pick up “Crime Traveler”, it’s a killer album that I’ve been listening to pretty much daily as of late.

Graf Orlock – Bad Service On Connecticut Ave

Graf Orlock – Destination: Time Today
Graf Orlock – Destination Time Tomorrow
Ghostlimb – Infrastructure
Ghostlimb – Bearing And Distance
Dangers – Messy, Isn’t It?
Dangers – Anger

Official Release:

Hub City Stompers – Live In Philadelphia (2/21/16)


On an unseasonably warm Sunday night, my girlfriend and I headed to Philadelphia’s Kung Fu Neckie to catch my home state NJ’s ska/oi/punk band Hub City Stompers.  I wasn’t expecting the place to have many people considering the fact it’s a Sunday ska show, but KFN had a decent crowd set up.  We got there a little late, missing their first song but getting there just in time for Chatterbox.

One of the first things I’ve noticed was the absence of saxophonist/singer Jenny Whiskey from the stage, with the band claiming she couldn’t make it tonight but they’d be in full strength at the next show.  I don’t know if it was because of this or not, but HCS played a bunch of their older songs as well which had a few of us singing and dancing along.

Always a fun time with their songs taking on everything from emo, 3rd wave ska, racism and everything in between, if you prefer your ska to be more similar to bands like The Specials or Madness than Reel Big Fish, definitely check them out.  I’ve seen them live many times over the past decade and they never fail to put on an great show.

Setlist: (from what I remember, not in order)
Pants Music
Sharky 17 (Inspecter 7)
Little Julie Swastiska
Skins Don’t Cry
Popeye (Inspecter 7)
Hub City Stompers (Inspecter 7)
I’ve Got A Boot
Night Of The Living

Hub City Stompers – WTFIU?

Hub City Stompers – Life After Death
Hub City Stompers – Blood Sweat And Beers
Hub City Stompers – Ska Ska Black Sheep

Guttermouth Live In Philly (2/12/16)

guttermouth tattoo conv

I headed to Philly’s small Fishtown dive bar the Kung Fu Necktie to catch Huntington Beach’s Guttermouth.  I’ve been a fan of these guys since I was like a freshman in high school nearly 17 years ago (…fuck I’m old) and both times I’ve seen them live they still put on a killer show.

The place was pretty packed when I got there right before Guttermouth took the stage, and it was clearly a Guttermouth show, as indicated by the drunk dude who decided to breakdown the stage before the band even went on until he was physically lifted off fireman style.

The vibe was a bit weird at first, with a bunch of people with cameras right up front (keep in mind this is a really divey venue, with no barricades and a low stage) and I was worried that this meant people weren’t going to dance, but my concerns were immediately put to rest by the large frantic pit that broke out as soon as Mark and company finished sound checking and opened with The Album Formerly Known As Full Length LP opener “Race Track”Following it up with “Asshole”, the crowd didn’t let up for the majority of the show, and Mark was all over the place running around, jumping into the pit and drunkenly quipping with the crowd.

At one point, Mark asked the crowd if punk bands still frequented Philly, which someone replied “yes, except Rancid”.  To which they started playing “Ruby Soho” while Mark mumbled like Tim Armstrong and nailed the impersonation.

The band ripped through a bunch of their classics, with all the juvenile and brash humor that they’re known for.  While they’re getting up there in age, Guttermouth still puts on an incredibly energetic and fun show.

Setlist (From what I remember, not in order)
Race Track
Do The Hustle
Jaimie’s Petting Zoo
Lucky The Donkey
Where Was I?
No Such Thing
End On 9
Bakers Dozen
Bruce Lee Vs The Kiss Army
She’s Got The Look
Trinket Trading Tick Toting Tired Toothless Tramps
Party Of Two (Your Table Is Ready)

Guttermouth – Bakers Dozen

Guttermouth – Musical Monkey
Guttermouth – 4 New Songs

Official Site:

Leftover Crack – Constructs Of The State (For fans of Choking Victim, Operation Ivy, Star Fucking Hipsters)


It’s 2016, and I’m really fucking loving the new Leftover Crack album – file under shit I’d never thought I’d be saying.  I’ll be honest, I’ve been a Leftover Crack fan for nearly 15 years now, but I didn’t really have high hopes for their latest Fat Wreck release Constructs Of The State.  For one, it’s been over 11 years since their last album Fuck World Trade, and on top of it founding member Ezra has since left the band, so I just assumed it would just be watered down.  Upon my first listen of Constructs Of The State, I couldn’t have been more wrong.

Constructs Of The State is 13 tracks is a fantastic mix of ska, punk, hardcore and metal creating that crack rock steady sound that you’ve come to love from the band.  Songs like opener “Archaic Subjugation” and “Slave To Throne” show the heavier side of things with plenty of hardcore and thrash metal influences, while the more ska influenced “System Fucked” is an incredibly catchy song featuring Jesse Michaels of Operation Ivy/Classics Of Love that’s so damn skankable, you’d think it was 2001 again.  (In addition to Jesse Michaels, there are plenty of musical guests throughout the entire album, including members of Crass, Dead Milkmen, Bouncing Souls, Riverboat Gamblers, and plenty more.)

Lyrically, the band is political as ever with songs about systematic racism, lies the armies recruit with, etc.  But Stza also goes down a bit more personal route with songs about seeing drug addiction ruining so many of his friend’s lives on the incredibly catchy “Bedbugs and Beyond” (It even has a direct reference to former member Ezra and his struggles with addiction) that ends with a cautionary “these fucking bugs eat punks.”

Speaking of the white elephant in the room Ezra, yes his absence is noticeable on Constructs Of The State, but not nearly as much as you might think.  As proven with Morning Glory, Ezra is a pretty talented song writer and his songs definitely helped expand the sound of their previous albums and his voice proved to be a nice contrast to Stza, but at the same time according to Stza when asked if it was strange to record without him: “Not really. He was never very involved in the recording process, and even less in the LöC songwriting. He wrote/co-wrote about six songs between Fuck World Trade, Deadline, and the Crack Rock Steady 7 split with F-Minus. He played guitar on a hidden track at the end of Mediocre Generica and he plays guitar on about six of the now 21 tracks on Fuck World Trade. Other than that, he only sang or played guitar on “his” songs. There are three of those. People were led to believe that he was more involved in these projects by my direction. Even on the Choking Victim full length, No Gods/No Managers, he is actually only on about three songs and he’s playing bass and not actually playing any guitars or vocals as the liner notes otherwise dictate. All that being said, his contributions were not insignificant and the few songs that he was around to write guitar for benefited greatly. He’s a talented musician.”

With all that being said, Constructs Of The State is a stellar album, and a must for any Leftover Crack fan.  It’s been in my regular rotation since I got it in November, and I haven’t been able to stop listening since.

Leftover Crack – Syste Fucked (ft Jesse Michaels)

Bouncing Souls, World Inferno Friendship Society, Miss TK, and The Low Budgets Live In NJ (12/26/15)

I’ve been going to The Bouncing Souls Home For The Holidays since the band started the Asbury Park tradition back in 2007.  This year, I decided to go on Saturday due to the fact that both the World Inferno Friendship Society and The Low Budgets were playing it.   I got to the Stone Pony right as The Low Budgets took the stage.

The Low Budgets:

Viva valu-rock!  I’ve loved Philadelphia’s Low Budgets from the moment I saw them live back in 2003 with their goofy songs about being broke, dead kittens, and craft fairs.  Catching them a few times up until they announced they were calling it a day back in 2008, I was pretty sure I would never get to see them again.  One of the main reasons I picked this night for Home For The Holidays was because of these guys, especially because I couldn’t make their Philly warehouse show a week beforehand.

The room was filling up as they started playing, with Joe Jack Talcum of Dead Milkmen fame in the center of the stage with his keyboard.  It seemed like most of the people there weren’t sure who they were, but there were definitely a bunch of us who were singing along to each word, and most people seemed to be digging them.  Playing songs off all three of their full lengths, the band put on a solid show and I’m really kicking myself for missing the Philly one which was definitely rowdier.  It’s a shame that this was just a one-off reunion, The Low Budgets still slay live.

Setlist (From what I remember, not in order):
Oh Yeah
O.E In The A.M
50 Cents
Thrift Store
Ripped Off
Poser Punker
Stupid Dead Kitty
Rock N Rollers
Sweet Tooth
Fat Cop

Miss TK and The Revenge:


I’ve never heard of Asbury Park’s Miss TK and The Revenge before, but apparently they featured both Ari Katz (vocalist of Lifetime) and his wife Miss TK.  Playing a sort of synth-punk style that reminded me a bit of Le Tigre or later No Doubt, it wasn’t my particular style, but they definitely weren’t bad by any means.   Bonus points for having enough cowbell to make even Blue Oyster Cult jealous.

The World Inferno Friendship Society:

The World Inferno Friendship Society has gone through numerous lineup changes throughout the years, but yet they remain to be one of the most consistent live bands around.  Taking the stage and opening with their call to arms “Tattoos Fade”, the place immediately erupted into a frenzy of crowd surfing, dancing, and singing along.  A World Inferno show may seriously be the only place where you’ll see people go from moshing to waltzing within the same song.

Vocalist Jack Terricloth and crew were on point with their both their music and quips.  Between telling the bouncers guarding the stage that the “the kids just want to dance”, and then joking with the bouncer throughout the set, it was definitely amusing to watch.  With people climbing the rafters and Jack stage diving into the crowd during the last song, The World Inferno Friendship Society is always just the best party.

Setlist (From what I remember)
Tattoos Fade
Annie The Imaginary Lawyer
Just The Best Party
My Ancestral Homeland, New Jersey
Thumb Cinema
Secret Service Freedom Fighting USA
Brother Of The Mayor Of Bridgewater
Jerusalem Boys

The Bouncing Souls:


Before the Souls took the stage, the place was already getting rowdy with chants of “OLE” and “Here We Go” breaking out throughout the crowd. The Souls finally took the stage, and announced that this might be their last Home For The Holidays (boooo), and opening with “Joe Lies (When He Cries)”.  The place immediately broke out into a frenzy.  The Souls didn’t let up for the entirety of the night playing songs mostly from their earlier releases with an emphasis on How I Spent My Summer Vacation.

Greg seemed lively jumping into the crowd a few times, running around the stage, and all around having a blast on stage.  The majority of the night was a blur for me as I danced and yelled along, but one thing is for sure: Home For The Holidays is one of my favorite shows, and I’ll be pretty bummed if this is the last one.  The Bouncing Souls are easily my favorite band and have been for nearly 16 years now, and there’s just something special about seeing them in my home state of New Jersey.

Setlist (Not in order)
Joe Lies (When He Cries)
Punks In Vegas
Kate Is Great
Kids And Heroes
Sing Along Forever
Say Anything
Broken Record
East Coast! Fuck You!
Hopeless Romantic
That Song
The Something Special
Late Bloomer
Lamar Vannoy
Quick Check Girl
Born To Lose
Lean On Sheena
These Are The Quotes From Our Favorite 80s Movies
True Believers

Bouncing Souls-Joe Lies (When He Cries)
World Inferno Friendship Society – Tattoos Fade
Low Budgets – Born Before The Internet

PEARS Live In Philly (12/10/15)


Ever since I saw PEARS open for Teenage Bottlerocket a few months back and I got a copy of their debut Go To Prison, I haven’t been able to stop listening to them.  New Orleans PEARS mix their aggressive hardcore so seamlessly with Descendent’s inspired pop-punk, it seriously is the most catchy and addicting music I’ve heard in a long time.

I got to Johnny Brenda’s intimate small room just in time for PEARS, and the place was actually nowhere near as dead as I expected it to be for a random Thursday night 21+ show.  Once PEARS took the stage, it was clear a lot of people weren’t too familiar with the band itself but were there to support the Philly local drummer.

If there’s one thing that makes PEARS stand out live, it’s their incredibly explosive stage presence.  From the second they opened with “Little Bags” vocalist Zach was all over the place jumping all around the stage with his bizarre and entertaining antics.  This continued throughout the course of the night, jumping and rolling through the crowd even though there were only a handful of us who were singing along (although everyone did seem to be digging them).

PEARS played pretty much every song they have maybe minus one or two for a quick and explosive set.  Bonus points for somehow incorporating what I’m pretty sure was Super Nintendo’s Donkey Kong Country’s aquatic level music in their set as an intro before one of the songs.

Easily becoming one of my favorite bands, PEARS killed it, and if you haven’t had a chance to check them out yet, get on it.

Setlist: (not in order)
Little Bags
You’re Boring
Breakfast (I think they did this one)
Forever Sad (I think)
Judy Is A Punk (Ramones)
Victim To Be
Grime Spree

So pretty much everything except Snowflake if I remember correctly.

PEARS – You’re Boring

Weston, Digger Live In Philadelphia (12/5/15)

Weston flyer

This past Friday, My girlfriend and I met up with some friends and headed out to Philly’s First Unitarian Church basement meeting up with some friends to catch Pennsylvania’s beloved Weston.  The sweaty basement was pretty packed out by the time I got there with original fans who used to follow the band when they played in the 90s, dads introducing their young ones to their first punk rock experience, and everything in between.  I missed openers Mikey Erg and The Fiendz, but got there in time for Digger.



Allentown’s Pennsylvania’s Digger used to play all the time with Weston back in the 90s (in fact one of the members of Weston used to be in Digger), and musically the influences are very similar.  Playing pop-punk similar to Fifteen, Digger called it a day back in the early 2000s only to recently play a string a reunion shows.  Being one of the first Hopeless Records bands, if you ever had any of the Hopelessly Devoted To You compilations back in the day, you know Digger.

Digger killed it with their catchy pop-punk anthems about girls and hats, and even though I’m not too familiar with their albums (which I need to change) they put on a really fun set with plenty of people singing throughout.  Plenty of vocal melodies and catchy riffs,  Digger is one of the most underrated pop-punk bands of their time.



This was my 3rd time seeing Weston and the previous two times I caught them (the first time in NJ almost a decade ago opening for The Bouncing Souls at the fucking House Of Blues in Atlantic City, and more recently Riot Fest East here in Philly) the majority of the crowd didn’t seem to know or even really care who they were.  But finally, I was getting to catch Weston in a small, intimate venue they were headlining.

The PA natives took the stage in the most ridiculous/awesome outfits, with hawaiian shirts, the most glittery suit I’ve ever seen, and that pretty much set the tone for the rest of the night: fun.  Kicking things off with Got Beat Up opener “Retarded”, the crowd immediately burst into a pit, pile-ons and sing alongs which lasted throughout the course of the night.

Weston were in high spirits as they joked about their history, getting older, and immediately having sound problems with the bass cutting out, to which they took the time to give odes to bands such as Nirvana and Led Zeppelin, saying that they were great song writers regardless of what you thought.  Using that as a segue, they introduced the original guitarist of Weston who wrote a bunch of the riffs and had him a play a few songs.

After ripping through a bunch of favorites the band started joking about how they have shirts in the back, and they are new before closing with fan favorites “New Shirt/Heather Lewis”.  After leaving the stage, the band came back out to the “one more song” demands playing a cover of The Misfits “Where Eagles Dare” and picked probably the drunkest dude in the crowd to do vocals for it.  Finally, closing with what they said was a “deep cut” (Bus Stop off of their Japan only release) they called it a night with saying they literally don’t know how to play any more songs.   A fun night, I really hope Weston plays some more shows.  They still kill it live after all these years, and prove they can still pack a place on a Friday night.

Setlist (From what I remember, not in order)
Just Like Kurt
Feelings Stupid Feelings
No Kind Of Superstar
Record Shop (I think)
David Soul (I think)
Varsity Sweater
Little Mile ’94
New Shirt
Heather Lewis

Where Eagles Dare (Misfits cover)
Bus Stop

Weston – No Kind Of Superstar