Archive for Uncategorized

Violent Society, Blanks 77, Combat Crisis (Live In Trenton 4/20/13)

This past Saturday, I headed to my old home state of NJ to catch a bunch of damn good street punk bands that do not play anywhere near often enough.  The show was at Joe’s Mill Hill Saloon, which was this small little dive with a stage in it’s intimate basement, making it feel like any other house show (but with better bathrooms).

Everything about the show reeked of Philly: almost all the bands (minus Blanks 77) and the crowd came out from Philly to party.  I unfortunately missed most of the openers due to traffic, but I got there at the end of Dopestroke’s set, which definitely had people dancing throughout.

Combat Crisis


The first band I was able to catch in it’s entirety was Combat Crisis, the Philly street punk band who’ve made quite a name for themselves.  Combat Crisis had people singing along and sporadic pits throughout their energetic and fun set.  Female fronted punk rock, definitely check them out if you get a chance.

Blanks 77

NJ’s finest party pogo punks, it’s rare for them to play a show these days, so I try to make sure to catch Blanks 77 whenever they come around.  It seemed like the majority of people there were for Blanks 77, and fairly so… these guys (and gal) have been inspiring pogo pits and sing-alongs since 1990.  Us in the crowd were in a frenzy from the opening note, and didn’t really let up for the majority of the show.

Apparently the band is working on some new material as well, which would be pretty damn sweet since their last full length came out in 1998.

Highlights:
I Don’t Wanna Be
Up The System
I Wanna Be A Punk
We Are The Punks
Radio Hits
Void (I think they played this one)
Losing My Brain
Party Train

I missed The Heels because I had to go grab some food (and from the sound of it, I regret missing them), but made it back in perfect time for the other reason I came to the show… Violent Society.

Violent Society:

Violent Society is another band that plays incredibly infrequently these days, and they always put on a damn good show as well.  Some of the crowd thinned after Blanks 77 and The Heels, but there was still a sizeable amount fixed in the basement to see the Philly street punk legends.

Singalongs abound, Violent Society played a bunch from all of their releases… including closing with one of my personal favorites “You’re Gonna Fall”.  Definitely a good time, it made me realize I don’t go to nearly enough street punk shows anymore.

Setlist:
Philly Shreds
I Wanna Know
It’s Only Your Life
Can’t Stop You
Sick Sick Sick
Fashion Song
Behind The Bullshit
Rise Of Punk
Call Me
Coming Back For You
Totally Fucked
We Don’t Believe
Consumed
Violated
The Problem
Alone
Time Of Distraught
Piss On You
Culture Magnet
In Crowd
Why Do You Deny
Mr Suit
Sarges Last Stand
You’re Gonna Fall

MP3:
Violent Society – I Wanna Know
Blanks 77 – Radio Hits

More Punk Rock:
The Unseen – Lower Class Crucifixion
The Virus – Nowhere to Hide
Minor Disturbance – Bullet For You

Buy:
Blanks 77
Violent Society

Paint It Black, Joyce Manor, Loma Prieta, Congenital Death, Bad Side Live In Philly (3/31/13)

It’s the fucking Paint It Black record release show!  I’ve been stoked on this show ever since they announced it, and the fact that Philly local hardcore dudes Bad Side and female fronted hardcore band Congenital Death were on the bill were a huuuuge plus.  I headed to the sold out First Unitarian Church, and while hurting a bit (sprained my ankle, didn’t help my cause at World Inferno) I planned on completely losing my shit regardless.

Bad Side:

It didn’t take long for me to completely lose my shit, as Bad Side were the first ones up.  I’ve been listening to their demo ever since they released it back in October, and like Dan Yemin said during PIB’s set: “If you showed up late, you fucked up.”

It was my first time seeing them, and they completely tore shit up with their fast as fuck hardcore.  A few of us easily got a pit going, and stage dives were plentiful.  You need to check them out, period.

Congenital Death:

Another Philly local band, these gal and guys often play with Bad Side, so the same set of us who went off during Bad Side continued the antics up through their set.  Congenital Death play brutal powerviolence hardcore, and are often compared to Punch or Death Rats.  They’ve really seemed to find their sound since the last time I caught them at The Barbary, and I definitely need to check their recorded stuff out.

I wound up missing the majority of Loma Prieta’s set, but I was able to catch most of Joyce Manor.

Joyce Manor:

I know that Joyce Manor is all the rage these days, but admittedly I never got a chance to check them out. They definitely had a lot of energy, and fans were constantly stage diving through out the set.  They played that style of pop-punk that is really big (at least here in Philly) similar to Spraynard or Iron Chic, but personally I’m not really a fan of that noodling guitar punk.  They did put on an energetic set though that even I was able to appreciate.

Paint It Black:

Paint It Black playing two Philly shows in the span of a few months?  Be still my heart.  Throughout the interwebs (or the information super highway as I like to call it), Paint It Black have essentially streamed their entire new Invisible EP through various blogs, and I’ve been seriously listening to it nonstop any time I’m near a computer.  So needless to say, I was fucking stoked to hear these new songs live.

Paint It Black took the stage, and immediately busted out into “Greeting Fellow Insomniacs”, the opening track off of Invisible. The band continued their onslaught of aggressive yet melodic hardcore playing songs from their entire discography, keeping the pauses brief.  We in the crowd were constantly barraging Dan with a bunch of pile-ons,  constant dives, and had a pit going through out their entire set (would you expect anything less from their hometown)?

The band thanked us for coming out to the show even though it’s Easter Sunday, and gave us some background on the new EP.

Incredibly tight setlist, they played everything off of Invisible and a lot of my (and crowd) favorites.

Setlist:
Greetings Fellow Insomniacs
Past Tense, Future Perfect
CVA
Exit Wounds
Props For Ventriloquists
Atticus Fitch
Four Deadly Venoms
D.F.W
Salem
Invisible
Election Day
Head First
Pink Slip
Cannibal
Womb Envy
Memorial Day
Little Fists
The Ledge
Surrender
We Will Not

Mp3:
Bad Side – Demo
Paint It Black – Four Simple Steps to Total Life Satisfaction

You Don’t Know This Song, But I Caught You Trying To Sing Along:
Bad Side – Demo Review
Paint it Black – CVA
The Steal – Bright Grey
Lighten Up – Absolutely Not

Buy:
Paint It Black
Bad Side

Desmond Dekker – This Is Desmond Dekkar (For fans of Bob Marley, Toots And The Maytals, Prince Buster)

Ask 10 people their favorite musical artist from Jamaica, and 9 out of 10 are going to say Bob Marley.  The other person is probably going to get Jamaica confused with Cuba and go on some rant about Communism (fuck that guy).

Unless you’re hanging with a bunch of knowledgeable ska nerds (don’t worry, you’re in good company here), you’re probably not going to get Desmond Dekker as an answer, although he is hands down my personal favorite and one of the most influential artists to ever come out of Jamaica. Desmond Dekker’s third full length release This Is Desmond Dekkar is a ska masterpiece and one of the greatest of all time.

It was a time before every single reggae/rocksteady song was about being a rasta and about Jah.  Released back in 1969 on Trojan Records, This Is Desmond Dekkar featured 12 ska/rocksteady/reggae classics, and nearly every one of them is a hit.  While many people suggest new fans check out his greatest hits compilations (and that’s not a terrible idea) I also think the 3rd full length is also a good starting point.  Relaxing yet energetic at the same time, songs such as “007 (Shanty Town)” perfectly demonstrate what Desmond was all about: dynamic vocal delivery over offbeat rhythms. The song “Beautiful And Dangerous” shows just how much vocal ground Desmond could cover with the chorus sounding like a desperate plea, pouring raw emotion into every word.

Even though contemporaries such as Bob Marley (who Desmond Dekker helped make famous by introducing the unknown Bob to his producer) and Toots and The Maytals (who have a bitter song called “Desmond Dekker Came First” with a bit of interesting history behind it) may be more popular these days, Desmond Dekker was one of the most (if not the most important) musicians to ever come out of Jamaica.

MP3:
Desmond Dekker – Beautiful And Dangerous

More Sweet, Sweet Ska:
Scenester 101: How to Be a 3rd Wave Ska Dork
Toots and The Maytals – Monkey Man
The Ethopians
The Slackers – Self Medication

Buy:
Amazon

Texas Is The Reason Live In Philadelphia (2/16/13)

Texas Is The Reason twice in less than 6 months… am I lucky, or what?  Saturday night I got a chance to see Texas Is The Reason again with some friends, only this time I stayed pretty close to home heading out to Philly’s own Union Transfer.  I missed Title Fight (confession time: I’m not a huge Title Fight fan although I heard their new album is killer… maybe I’ll give them another listen) but made it with plenty of time to see Texas Is The Reason.

Preparing for a night of melancholy post hardcore, TITR took the stage to a sold out crowd and told us about how they were dedicating the set to a kid who was terminally ill and had tickets to the show but sadly passed away hours beforehand (and if you know him, my thoughts go out to you).  They said that his parents informed them that the last song he listened to before he died was “Do You Know Who You Are” and so they opened with the instrumental track.

From there on, the band proceeded to play through most of their incredibly short discography with the majority of us oldsters shouting along every word.  While the show never got that rowdy, we definitely lost our shit to songs like “If It’s Here When We Get Back It’s Ours” and “Back And To The Left” (obviously).

The band played tightly, and threw in a new songs (well… they wrote it years ago).  I’m not sure if this is the last time I will ever see Texas Is The Reason, but I feel lucky enough to just be able to catch them twice now.  Anything other reunion shows are just bonuses at this point.

Setlist (From what I remember and not in order at all):
Do You Know Who You Are?
The Magic Bullet Theory
Johnny On The Spot
If It’s Here When We Get Back, It’s Ours
Nickel Wound
Something To Forget
There’s No Way I Can Talk Myself Out Of This One
Dressing Cold
Blue Boy
The Day’s Refrain
Back And To The Left

Encore:
A Jack With One Eye

MP3:
Texas Is The Reason – If It’s Here When We Get Back, It’s Ours

This Is Only Fun For Me:
Texas Is The Reason – Self Titled EP
Lifetime – Hello Bastards

Buy:
Revelation Records

Donovan was rarely injured, then suddenly he was. That’s an incredibly frustrating feeling.

Top 10 Of 2012

Ladies and gentlemen, boys and girls, non-gender identifying people:  the moment you’ve all been waiting for since the moment you were born.  I present to you the Battle Of The Midwestern Housewives top 10 releases of 2012!

Obviously I didn’t get a chance to check everything out that I wanted to (Classics of Love, Hot Water Music’s new album, etc) and I ALWAYS wind up leaving something off the list that should have made it (like Punch’s Nothing Lasts EP would definitely be my #1 of 2011… ah well). In addition, I was saddened that some of my favorite bands didn’t make the cut with their latest (Bouncing Souls, Ceremony), and as good as that new Kesha song is, I spared you all.

10. Morning Glory – Poets Were My Heroes

If we’re going to be totally honest, I wasn’t expecting too much from the latest Morning Glory release.  Sure, I like Ezra’s (Leftover Crack, Choking Victim) project enough, but I thought everything with crack rock steady has been said and done already.  Boy was I surprised to hear strings, pianos, and all sorts of instrumentation on this album.  Clean production, poppy melodies, and punk rock snarl make Poets Were My Heroes one incredibly surprising listen.

Morning Glory – Shelter From The Spoon

9. Municipal Waste – The Fatal Feast

These Richmond crossover thrash kings have exploded over recent years, and I am happy to say that The Fatal Feast was a return to their aggressive, party fest sound that seemed to be missing from their lackluster Massive Aggressive.  Music to break stuff to.

Municipal Waste – Unholy Abductor

8. NOFX – Self Entitled (review coming still)

NOFX have been doing this punk thing for quite some time (30 years now) and they found the formula that works for them.  Some people say that they just release the same album over and over, but you know what?  I like that fucking album.  Sure, you won’t find anything too original here, but that’s what makes it so refreshing in a year that my favorite bands decided to try something new.

NOFX – She Didn’t Lose Her Baby

7. OFF! – OFF!

Keith Morris (Black Flag/Circle Jerks) is 57 years old with diabetes, and still rocks harder than a strong majority of bands who’s just a fraction of his age. With 16 songs in 15 minutes and aggressive punk rock without any of the frills, you’d think that this was actually recorded in the 80s.

OFF – I Got News For You

6. Best Practices – The EP LP

I don’t know much about the band except for the fact that this release completely kills it. Just like your mom, Best Practices takes a bunch of ingredients, throws it in a blender, and makes a much more delicious smoothie than anyone else who even tries.  Noisy, garage, melodic punk rock that you need to hear.

Best Practices – Future Cougar

5. Ghostlimb – Confluence (review coming still)

Even though I listen to member’s other bands (Graf Orlock, Dangers), I just discovered Ghostlimb this year, and holy shit am I glad I did.  Playing the most melodic hardcore, borderline grindcore imaginable, Ghostlimb turns up the aggression a notch on Confluence to make everything else you listen to just seem so passive.  If you dig Tragedy at all, check this one out.

Ghostlimb – Southeast First

4. Hold Tight/Direct Hit Split


It seems like pop-punk and hardcore have always been closely related, and nothing seems to prove this more than two pop-punk bands joining forces to release one fuck of a release.  Both bands were pretty active in 2012, but I have to admit, this is easily my favorite of any of their releases of the year.  Quick to the point hardcore.

Hold Tight – Always

3. Static Radio NJ – We Are All Beasts

Static Radio NJ is one of those very few bands that I’ve been listening to since the start, and have seen evolve, and actually LIKE their new sound.  Starting off as a straight up hardcore band, Static Radio evolved to playing more Lifetime-esque melodies.  Unfortunately the band called it quits this year, but that shouldn’t stop you from checking out their latest (and last).

Static Radio NJ – I Might Kill

2. Bomb The Music Industry – Vacation

When I first listened to BTMI’s Vacation, I hated it.  It was a complete departure from the ska-punk I know and love from the Brooklynites, but after a friend encouraged me to give it another chance, I completely fell in love.  They slowed it down a bit, and bust out some of the most heartfelt songs we’ve ever heard from them.

Bomb The Music Industry – Sick, Later

1. Propagandhi – Failed States

Propagandhi can do no wrong (well, except for Potemkin City Limits… I didn’t like that album).  The once skate punk now thrash champions return with some of the most aggressive, hard hitting music they’ve ever released… and it’s good… real good.

Propagandhi – Failed States

BONUS:

Just for the fuck of things, here’s a list of my favorite 5 shows I’ve been to in 2012:

5. Cock Sparrer, Street Dogs, Paint It Black @ Union Transfer
4. American Nightmare (Give Up The Ghost) @ Webster Hall
3. Propagandhi, Comeback Kid, One Win Choice @ Union Transfer
2. Guttermouth, The Scandals, Tonight We Strike @ The Fire
1. Grey Area @ The Fire (1/28/12)

More End Of Year Lists:
Top 10 Of 2011
The Top 11 Albums of 2010
The 10 Best Albums of 2009
Best Of 2008
Best Of 2007

Bouncing Souls, The Casualties, Grey Area Home For The Holidays (Live In Asbury Park 12/28/12)


Ah yes, The Bouncing Souls Home For The Holidays… their (and mine) yearly holiday tradition since 2007 where the Souls play 4 nights in Asbury Park with something special going on each night.  I went on Friday at the Stone Pony, because Grey Area was playing and I fucking love those guys.

Team Vibes:

Team Vibes kicked things off for the festive night, and while I don’t know anything about them, it seemed like a decent amount of people were digging their set.  They played slower, Gaslight Anthem-esque music that I’m actually not too crazy about… but I can see them gaining a decent following by people who are into that.

Grey Area:

Fuck yeah.  Even though I was a little bit sick and still really fucking sore from the Paint It Black house show I went to the night before, I was beyond stoked to see these guys.  Although it was only about 5 people (including myself) two stepping and dancing through out their set, a decent amount of people were shouting along every word.

Ernie and crew took the stage and joked around with the crowd about the H20 show they were at last night, cover songs, and generally keeping it light as Grey Area is known to do.  It was a bit strange seeing them with a barrier up since last show I saw them was at Philly’s intimate Fire, but it was still a damn good time with their Lifetime/Kid Dynamite type of melodic hardcore.

Highlights:
Insomnia
Reminder
Right Now
Before Me
No Guarentees (I think)

BONUS: At the end of the show, I overheard some guy talking about how he never heard of Grey Area before, but how they were easily his favorite band of the night.  Fuck yeah.

The Casualties:

I know it’s not “cool” to like The Casualties after the age of 17 (shit, some say 13) but fuck it, and if you’re one of those holier than thou types, fuck you too… The Casualties are always a fun time.  I didn’t anticipate dancing to the gritty street punk sounds of these NY dudes, but once they played “Get Off My Back” I found myself thrashing around in the a circle pit.

It’s funny how much the pit itself was almost like a history of The Casualties legacy: during the newer songs, you saw some younger kids doing their thing and then the old fucks like myself would come out during their Die Hards and For The Punx songs. Current status of the punx?  Upped.

Highlights:
Get Off My Back
Ugly Bastards
Punk Rock Love
Made In NYC
Riot
Police Brutality (I think)
Tomorrow Belongs To Us

The Bouncing Souls:

The Bouncing Souls?  Those fucking NJ moochers.  Regardless of how I feel about their latest albums, The Bouncing Souls will always and forever be my favorite band. They got me through a lot of shit in life over the past decade and them some years I’ve been listening to them, and regardless of the fact I’ve seen them close to 30-40 times, I always get excited to see them again… especially in NJ.

The band took the stage (surprisingly not to Born To Run, as is holiday tradition) and instantly opened with Manthem… Ahh shit.  This was the song I completely annihilated my arm (2 steel plates and 20 screws) to at their show last year, and I’d be fucking lying if I said I don’t get a little panicky every time it comes on.  Except this time around, I was way to stoked and just lost my shit in the pit which I didn’t leave for the entirety of the show.

The Souls setlist was created by Mike Dirnt of Green Day fame, and he had them play songs off of most of their albums, with a pretty strong emphasis on How I Spent My Summer Vacation.  We were rowdy throughout the entire set (I realize now I didn’t watch them at all as I was in the pit the ENTIRE time).  At one point, the band brought up The Loved Ones who played their song Jane which was pretty sweet.  Great Souls show, no serious injuries (a little black eye ain’t no thang), and I think I’m finally convinced of getting a Bouncing Souls tattoo that I’ve been contemplating for the last 10 years.

Set (From what I remember and not in order):
Manthem
Say Anything
Sing Along Forever (I think)
Toilet Song
East Coast Fuck You
Hopeless Romantic
True Believers
Gone
Quick Check Girl
Ballad Of Johnny X
Sarah Saturday
Lean On Sheena
Better Things
I Like Your Mom
The Guest

MP3:
Bouncing Souls – Low Life
Grey Area – Lucky
The Casualties – Get Off My Back

More:
Bouncing Souls “Worst” Album
Bouncing Souls – The Good The Bad And The Argyle
Bouncing Souls Split Series


Chain Of Strength – The One Thing That Still Hold True (for fans of Gorilla Biscuits, Bane, Youth Of Today)

This past Thursday, I learned that Southern Cali late 80s hardcore act Chain of Strength played a free show up in New York City.  I was already going to Texas Is The Reason’s reunion show, so I wasn’t going to be able to catch them, but I have been on a serious Chain Of Strength kick as of late now.

Over their relatively short career, Chain of Strength released two EPs, which were released as a full length entitled The One Thing That Still Holds True.  One of the more overlooked straight edge* hardcore bands, they were essential in defining the youth-crew sound, and influencing countless of hardcore bands today.  With their raw but catchy melodies and pissed shouts, I imagine their live shows were nothing short of fucking insane.

Rant warning: Now I know a lot of people who can’t get past the whole straight edge hardcore thing, and if you’re one of them, I recommend you give them a chance anyway.  The lyrics are more about thinking for yourself than the militant shit like Earth Crisis.  While growing up, I never really drank much or did any drugs (I still never have gotten drunk), I also never really considered myself “straight edge” because I thought it was sort of dumb to define yourself by what you don’t do (I’m not going to get an anti-golf tattoo since I don’t play golf).

However, growing up with some alcoholism in the genes and deciding I never wanted to be part of that, bands such as Chain Of Strength and Minor Threat reminded my awkward high school self that it was ok to make my own choices, and to ignore the judgement of those that did.  For that reason, straight edge hardcore will always have a special place in my heart even though you never saw an X on my hand, or I’d be helping my friend do a keg stand even if I wasn’t going to do one myself.  And I believe that is the point of hardcore… to teach us to think for ourselves.[/END RANT]

MP3:
Chain Of Strength – Too Deep Until Now

More Hardcore For Your Stage Diving Soul:
Scenester 101 – How To Be Hardcore
Minor Threat
Token Entry
Gorilla Biscuits
Ten Yard Fight

Buy:
Revelation Records

The Copyrights, The Dopamines, Mean Jeans Live In Philly (6/24/12)

After being in the sun all day at a super last minute Phillies game (don’t care about the Phillies, hoped to see Tampa Bay lose), I headed out to Philly’s Barbary to catch one hell of a pop-punk lineup.  I would have went for The Copyrights or Mean Jeans alone, but having them both on the same set?  Fuck yeah.

House Boat:

I came in about halfway through these NJ guys set.  I caught House Boat at the Asbury Lanes about two years ago, and remember not being that big of a fan, but this time they killed it.  The vocals used to be a lot whinier is what turned me off originally, but at least last night, it seemed like that was toned down and a gruffer sound shone through.

I unfortunately don’t know any of their songs, but there were a lot of people in the crowd singing along.  I’ll have to give these guys a second listen.

Mean Jeans:

I’ve been meaning to see the Mean Jeans for a while now ever since I’ve heard their Ramones influences punk off of Are You Serious and missed their Friday house show they played in Philly before heading off to Baltimore’s Insubordination Fest.  Seeing them open on a Sunday meant it was going to be a lot more calm (I even heard one girl in the crowd say “wait, the Mean Jeans are drinking water? I’m confused”), but no matter, I’ll take what i can get.

Unfortunately I was upstairs talking to a friend and missed their opening song (and one of my favorites “Born On A Saturday Night”) but the band continued to bring the party with songs off of both full lengths (I need to still check out their latest one On Mars) and even threw some in from some early EPs.  Definitely a fun time, wish they’d come to the east coast more often.

Highlights:
Born On A Saturday Night
On Mars
Steve Don’t Party No More
No Brainer
Case Race
Slime Time
Stoned 2 The Bone
Let’s Pogo B4 U Gogo

Unfortunately I missed Dear Landlord’s set as I needed to grab some food, but I made it back in time for The Dopamines.

The Dopamines:

I’ll be honest, I’m not very familiar with these guys.  I know the name, and I know that I would like them if I ever listened to them, but I never got a chance.  Needless to say I was pretty excited to finally get to check them out.  Totally blown away.

These guys played fast paced pop punk in the veins of early Green Day and Teenage Bottlerocket, and had the crowd singing along every word (although being a mixture of the fact it was early, sunday, and hot as shit… people stayed relatively calm).

Definitely need to check these guys out.

The Copyrights:

I’ve always dug The Copyrights and always try to go see them anytime they come to town, but I was honestly blown away by their latest release of North Sentinel Island.  When I first started listening to them after seeing The Copyrights play a show with Teenage Bottlerocket, they played pretty straight forward pop-punk, but their latest album incorporated so much more.  Less I digress though.

The band took the stage and the sing-alongs began immediately.  Again the crowd was pretty mellow (and my attempts to start a pit were for naught… but all good, I’m seeing Municipal Waste tonight.) but that didn’t slow The Coprights down.  They played a mix from the majority of their releases, with the heaviest being off their latest.

The band looked like they were dying from the heat by the end of their last song when the crowd demanded an encore.  They didn’t leave the small stage yet and then proceeded to blast two more, taking the crowd’s request of “Worn Out Passport” as a closer.

Highlights:
Kids Of The Black Hole
Trustees Of Modern Chemistry
Cashiers
Hardwired
Crutches
Weapons Of Math Destruction
Worn Out Passport

MP3:
The Copyrights – Trustees Of Modern Chemistry
Mean Jeans – Rats Roaches And Jeans

More:
The Copyrights – North Sentinel Island
Mean Jeans – Are You Serious
The Lillingtons – Too Late Show

Buy:
Interpunk

Municipal Waste – The Fatal Feast (For fans of DRI, Nuclear Assault, Crucial Unit)

I was cautiously excited for Municipal Waste’s fifth full length The Fatal Feast released about a week ago.  I love Municipal Waste, but I was a little underwhelmed by their last album Massive Aggressive.  Sure, Massive Aggressive wasn’t bad by any stretch of the imagination, but to me it just seemed slower and unmemorable (although in it’s defense, the songs transcribed MUCH better live).  After a few listens to The Fatal Feast, I’m happy to say Municipal Waste is back to fucking shit up.

The Fatal Feast takes all the aggression of their earlier releases and mixes with it the more focused aggression of Massive Aggressive.  The results are a more concise, mature sound.  I use the term mature incredibly lightly by the way, these are still the puking party people we’ve come to know and love.

Songs such as Unholy Abductor are incredibly reminiscent of the speed freak sounds of Waste Em All.  Shit, Municipal Waste even tap into their punk roots a bit with Idiot Check, with the chorus featuring a guitar riff that is guaranteed to set off any punk fan into a circle pitted frenzy.

If you were turned off by Massive Aggressive, definitely check out The Fatal Feast, the crossover kings have returned to reclaim their crown.

MP3:
Municipal Waste – Unholy Abductor

Municipal Waste Is Gonna Fuck You Up:

Municipal Waste – Scion EP
Crucial Unit – These Colors Get The Runs
Municipal Waste – Waste Em All
Municipal Waste – Massive Aggressive
Municipal Waste – Tango And Thrash EP
Municipal Waste – Hazardous Mutations

Buy:
Municipal Waste

Aaaand We’re Back

This is a test post with our spanking new host. Hopefully it updates the feeds.  Who would have thought moving away from blogger would be such a challenge?